This new sensor is capable of an extended dynamic range of 16 stops and is compatible with Canon’s exclusive Dual Pixel CMOS Autofocus technology. Wow I was about to say ‘The C500 mk II was just launched!’ but then I realized that was almost 8 months ago (ages in technology timeframe lol). Combining images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise noise-prioritizing amplifier for darker areas, the EOS C300 Mark III produces footage with up to 16+ stops of dynamic range and lower noise. Canon states ’15’ stops of Dynamic Range with the C700 Full Frame, ‘over 15 stops’ with Full Frame C500 mk II and ‘over 16’ stops now on the Super 35mm C300 mk III. Get updated with News & Insights on Digital Cinema! Well, it looks exactly the same as C500 mark II. I assume the C300 MkII will to come down in price, bringing it rather close to the C200. Furthermore, there is an option of shooting 180 FPS but on Super 16 mode (cropped). Using Canon supplied IDTs, images captured on the EOS C300 Mark III can be imported directly into the ACES compatible systems. HBO has just announced that the service…, Xelmus expands its 2X anamorphic line, the Apollo, by adding three more focal lengths to the…, The highly anticipated sequel, Wonder Woman 1984 (WW84) will be streamed on HBO Max. It’s fast and can be adapted to meet the requirements of high-end productions, and independent projects as well. Canon will be updating the Canon Cinema EOS C200 in or around April ahead of NAB 2021. Additionally, video output from the camera can be … Yes, the C300 Mark III performs better in low light situations than the C500 Mark II, even that the C500 Mark II has a larger sensor. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Read our full Privacy Policy here. Not to mention fitting in well with the 14 Stop 0.05-1000nit UHD Premium standard if recording in a bright scenario. Canon will be doing a live virtual press conference today where it is expected they will announce the Canon Cinema EOS C300 Mark III, CN Read more… Comments (49 posts) Share on Facebook The Canon C300 Mark III is a powerful little cinema camera that’s been getting a lot of attention since its release. Considering there is now the C70 effectively splitting the difference between the C300 Mark III and R5 there are more implications with this test, especially as people may be making a tough decision between the R5 and the C70. The touch screen is also the same as on the C500 Mark II and works really well – combined with the very nicely working Dual Pixel Autofocus it makes just a A LOT of sense to have a touch screen (I hope Sony is reading this, as much as I love the FX9, but it really needs a touch screen for its otherwise also great autofocus!). Canon Log 2 and 3. And the other one is the fact that this camera can shoot up to 120fps at 4K resolution, even in Cinema RAW Light. For non-RAW recording in XF-AVC iii , professionals can select ALL-I or Long GOP to film with high compression for efficient workflow and longer recording times. 3338, 3222 * [1] Cinema RAW Light can only be recorded on CFexpress Type B cards. Nino Leitner, AAC is a DOP and filmmaker based in Austria, but travels extensively for his work. The reason for this impressive capability is the DIGIC DV 7 Image Processor combined with the smaller sensor size. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading. With outstanding low-light performance and a maximum ISO setting of ISO102400, the Canon EOS C300 Mark III enables … However, due…, RED has announced that the option of purchasing the Komodo on RED.com is suspended, due to…, Warner Bros. Pictures announced that the highly anticipated superhero film WONDER WOMAN 1984 will be released…, © 2018. I was using finder to drop 2k footage from a sandisk 512 gig card when the macbookpro crashed and restarted. Furthermore, the C300 Mark III costs $11,000 which is much more affordable than the C500 Mark II which costs $16,000. It’s a versatile cinematographic tool with a lot of potentials. You probably already watched our interview with Canon about the newly announced C300 Mark III and read the post. In addition, the C300 was used along with other Canon EOS dSLRs (such as an infrared-modified Canon EOS 5D Mark II) on the short film When You Find Me, directed by Bryce Dallas Howard and produced by her father Ron Howard. Thinking of investing in this camera but wow has anyone seen the price of an EVF? I wonder what this will do to the price structure of existing cameras? Large format cinematography awards a lot of artistic possibilities that can’t be achieved on Super 35. New game-changing sensor for the HDR era. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, TDM Audio Pro UVC Case Disinfects Your Microphones, GoPro Karma Drone - Controller Pairing Issues, Boris FX Mocha Pro 2021 adds PowerMesh Tracking, Three New SIGMA Prime Lenses for L-Mount revealed, MZed Course Review – The Art & Technique of Film Editing with Tom Cross, Panasonic LUMIX BGH1 First Look Review & Mini Documentary, Astera NYX Review - The Quest for the Perfect Cinema Lightbulb, TourBox 2020 Review – A Versatile Control Panel for all Your Apps, watched our interview with Canon about the newly announced C300 Mark III, C300 short “13:59” directed by Mario Feil by clicking here, read our lab test looking at the dynamic range and rolling shutter of that camera here. The Canon EOS C300 Mark III is the first Cinema EOS System camera to feature Canon's Dual-Gain Output (DGO) sensor, which means it can capture images with wider dynamic range and lower noise, making it ideal for HDR output. In addition to this, the EOS C300 Mark III can record internally in Canon XF-AVC at 4K DCI and UHD at 4:2:2 10-bit, as well as 2K and Full HD. [source: ProAV TV) Order Links: Canon EOS R5 Mirrorless Camera (B&H, Amazon) Canon EOS C300 Mark III Cinema Camera I still can’t see anyone buying the standard viewfinder that only works when NOT using an Extension Unit though. Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking! Although there is some logic comparing those two cinema cameras, they are still completely different species. Is it more close to the C200, C500 Mark III or is it an upgraded version of the mighty C300 mark II? Dave was very impressed with the ability to be able to record non-cropped 4K at 120fps. The sensor combines images using pixels shot with a saturation-prioritizing amplifier for bright areas and a lower-noise noise-prioritizing amplifier for darker areas. The C70 is a Super 35 mm cinema camera that utilizes the newest Canon’s image processing technology which allows 16+ Stops of DR. With outstanding low-light performance and a maximum ISO setting of ISO102400, the Canon EOS C300 Mark III enables … The Cameras Behind Oscar 2021: ARRI LF, Panaflex, Large Format Cinema Lens Sets: Filmmakers’ Chart, Large Format Cinema Lens Sets: A Chart for Filmmak, ARRI Updates its Configuration Overviews With the, RED Suspends the Option of Purchasing Komodo on it, The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film, Samsung Unveils the ISOCELL Vizion 33D: Its first iTOF Sensor to Improve Camera’s AF and Bokeh, Canon Introduces a New 19K 250 MP APS-H CMOS Sensor, Xelmus Introduces New Apollo Full-Frame 2X Anamorphic Primes: 50mm T1.7, 75mm T2, and 135mm T2, Large Format Cinema Lens Sets: A Chart for Filmmakers, Wonder Woman 1984 on HBO Max: Only HD, Not 4K, Women’s Cinema: Meet 1st AC Amanda Wojtaszek, Filmmaking Education: Black Friday Deals on MZed, ARRI Updates its Configuration Overviews With the Signature Zoom Lenses, RED Suspends the Option of Purchasing Komodo on its Website due to High Demand, WONDER WOMAN 1984 Will be Released Simultaneously in Theaters and on HBO Max, Irix Introduces Magnetic Mount System for its Cinema Lenses, Sundance Institute Announces the (On-Line!) In our opinion, the image quality is even better than the C500 Mark II. For non-RAW recording in XF-AVC, professionals can select ALL-I or Long GOP to film with high compression for efficient workflow and longer recording times. Steve, you are a mind reader! All Rights Reserved. Would you purchase it? The Extension Unit 2 adds a lot of functionality, but the body itself can be used beautifully alone as well, and it’s small enough to use on a gimbal. What do you think about the C300 Mark III? And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. The Canon EOS C300 Mark III is the first Cinema EOS System camera to feature Canon's Dual-Gain Output (DGO) sensor, which means it can capture images with wider dynamic range and lower noise, making it ideal for HDR output. Email Address I’m looking for more of a ‘natural’ look rather than Canon’s classic poppy red-pushed-to-orange thing.At this stage I’d go for the Sony fx9 over this – full frame and better colour-science (believe it or not). EOS C300 Mark III features Canon’s Cinema RAW Light format for 4K (4096 x 2160) 10-bit up to 120P or 12-bit up to 30P recording with up to 2.1Gbps recording bit rate. The Dual Pixel CMOS AF is operational during 120 fps which is quite impressive. At the heart of the C300 Mark III is a new 4K Super 35mm DGO sensor powered by Canon’s new DIGIC DV7 video imaging processor. The C300 Mark III features a 4K Super 35mm CMOS Dual Gain Output sensor (DGO sensor), courtesy of which it is able to shoot 4K/60p footage with extremely high dynamic range and low noise in DGO Mode. No spam, guaranteed! Buy Canon EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount) featuring Super 35mm Dual Gain Output (DGO) Sensor, 4K 120p, 2K Crop 180p HDR, Cinema RAW Light and XF-AVC H.264 Codec, EF Lens Mount, DIG!C DV7 Image Processor, Dual Pixel CMOS AF and Face Detection, LM-V2 4.3" LCD Touchscreen Monitor, 12G-SDI and 4-Channel Audio Recording, 2 x CFexpress Slots, Canon … When it came too, all the files which were not fully copied to the 2nd drive were missing from the card. We only send updates about our most relevant articles. Apart from the features that already made the C500 Mark II an interesting proposition – internal Cinema RAW Light recording, Dual Pixel Autofocus – in my opinion, there are two new features of the C300 Mark III which are most interesting about this camera: The newly introduced Dual Gain Output (DGO), which essentially combines two amplifications of a moving image into one, achieving a dynamic range (according to Canon) of 16+ stops. He is co-owner of CineD and a studied Master of Arts. It has a Super 35mm Dual Gain Output (DGO) sensor, a next-generation imaging system that can generate high dynamic range while also maintaining low-noise levels during recording. It will go online in the next minutes.Thank you! Get the best of filmmaking! Let’s know your insights. The camera is amazing and doesn’t disappoint. Buying guide comparison of the new Canon EOS C70 vs C300 Mark III vs C500 Mark II models Let me know what you think in the comments below. The new camera will share some things with the Cinema EOS C300 Mark III. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality. Canon recently announced its newest cinema camera, the C300 Mark III, which features a variety of improvements over the Mark II. Subscribe The reason is simple, it … How Does the Canon C70 Footage Hold Up Against the C300 III Dave Kratz November 20, 2020 Blog No Comments The introduction of the Canon C70 was a shock and delight for loyal Canon shooters who have been begging the company to be more adventurous and take the lead over the crushing competition from Sony and Blackmagic. The C300 Mark III is a fast machine (high fps, 3 second booting time, efficient power management and so on). A lot of C300 Mark II users jumped to the C500 Mark III without knowing a C300 Mark III would follow soon after. The reason is simple, it shares the same body. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". Yossy also lectures about the art of the independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have granted international awards and recognition. The Canon C300 Mark III is equipped with the DIGIC DV 7 video processing platform, allowing it to support 4K/120p high frame rate recording. Any news of that promised C300MkIII lab test? In addition to this, the EOS C300 Mark III can record internally in Canon XF-AVC ii at 4K DCI and UHD at 4:2:2 10-bit, as well as 2K and Full HD. New game-changing sensor for the HDR era. It is hard to define this cinema camera. The C300 MKII is at $7,999.00 for the touchscreen package. With outstanding low-light performance and a maximum ISO setting of ISO102400, the Canon EOS C300 Mark III enables … The EOS C300 Mark III supports ACES 1.0 of the Academy Colour Encoding System. However, no RAW output. Still all it takes is the right LUT and this camera could be a monster. The Canon EOS C300 Mark III is the first Cinema EOS System camera to feature Canon's Dual-Gain Output (DGO) sensor, which means it can capture images with wider dynamic range and lower noise, making it ideal for HDR output. It still holds up nicely, 9 years later. 2021 Film Festival, Sony Presents the FE C 16-35mm T3.1 G:  Cinema Lens With Autofocus Capabilities, Sony Announces the FX6: A Hybridization Between VENICE and Alpha, ARRI Refurbishes its CPO (Certified Pre-Owned) Program: Adds Stabilizers, Lighting, and Accessories, The Trailer of the First “Shot on Komodo” Feature Released. Super 35 is still a very powerful and respectful format (from a cinematography point of view), however, when shooting full-frame, it’s hard going back to a smaller sensor. Explore the table below which demonstrates the slow-motion possibilities of the C300 Mark III. Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. The Canon EOS C300 Mark III (Amazon, B&H, Adorama) is an EF-Mount digital cinema camera that lets you shoot consistent cinema-quality footage. The Canon EOS C300 Mark III and the Canon EOS C500 Mark II are Cinema EOS stablemates offering the latest technology to give stunning visual results. 120fps 4K RAW with a potential heavy additional DR really starts cutting into a Ursa MINI G2 purchase decision (though almost 2x price). To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for HDR recording and low noise. Hey Clyde the cat what a cool dude! Here is a list regarding the highlights of the C300 Mark III: The Canon C300 Mark III excels in its slow-motion capabilities, which allow the privilege of shooting RAW in slow motion without cropping the sensor (up to 120 frames per second). DaVinci Resolve 17.1 Released: X5 Performances for M1 Macs, Final Cut Pro X 10.5 Introduced: Optimized for Apple Silicon, Canon Super 35mm Dual Gain Output (DGO) Sensor, Modular Design with Three Available Expansion Units, LM-V2 4.3″ LCD Touch Screen Monitor (sold separately), Canon Cinema RAW Light and XF-AVC Recording, Dual Pixel CMOS AF with Touch AF and Face Detection. Vincent Laforet was given access to a prerelease version of the EOS C300 to shoot the short film Möbius. Regarding the high-speed recording, this is amazing. This is “old Canon”, and I don’t quite understand why it wasn’t possible to at least give us 180fps in 1080p while maintaining the full sensor readout (that would have put the Canon on par with the most recent Sony offerings). The new DGO system allows the sensor to capture up to 16 stops of dynamic range by splitting each pixel into two diodes that simultaneously capture two images at different gain levels. Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking! You can’t select all frame counts individually as there are different “jumps” in between, but I don’t see this as a problem as they are all multiples of 24, 25 or 30p. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. Nevertheless, 120fps in 4K (and RAW) are really amazing and better than what most of the competition offers, so we should be more than happy about that. But the cat! As soon as you wanted to achieve more than 60fps, most of the cameras cropped massively into the sensor. However, it’s still super 35, as opposed to the full-frame sensor on the C500 Mark III. Premiere Pro and Avid Editors: Do-Not Upgrade to macOS Big Sur Yet! What’s strange about the high-speed recording that 180fps is only available in a Super16mm crop mode. Quick call an ambulance….. Not a huge fan of the color science from what I’ve seen so far from this and other videos; they look oversaturated and over sampled. They both own identical user experience, plus modularity. (As of March, 2020) EF 24mm f/2.8 IS USM : EF 28mm f/2.8 IS USM : EF 35mm f/2 IS USM: EF 40mm f/2.8 STM: EF 100mm f/2.8L Macro IS USM : … © 2020 All rights reserved. * For more information or performance test of the Canon EOS C300 Mark III, please kindly contact Canon Marketing (Thailand) Co., Ltd in Professional Video Division at 0-2344-9999 ext. Sample footage. The C300 Mark III is a super 35 beast with a lot of new tech and capabilities. (EOS C300 Mark III) Solution. Yossy is the founder of Y.M.Cinema Magazine. Y.M.Cinema Magazine, Xelmus Introduces New Apollo Full-Frame 2X Anamorp. When we got a chance to test the C300 Mark III, I got very excited – I was an owner of the original C300, and before that,  in 2011 when it was announced, I shot a short film with it and fell in love with that camera – you can watch the C300 short “13:59” directed by Mario Feil by clicking here. Solution: EF lenses that support changes to AF Speed and AF Response settings are shown below. That means you’ll get smoother darker areas with shooting in higher noise, however, tests have been showing that the DGO technology is being optimally utilized on 800 ISO. He works on documentaries, commercials, corporate films and at times a narrative piece. Read on. And it’s compatible with Canon… Canon has introduced its compact RF Cinema Camera, that can be defined and explained as a hybrid product between EOS R5 and Canon C300 Mark III. Read below. Log workflows provide the user with higher dynamic range, more highlight and shadow retention as well as more flexibility in grading. Here is some big news regarding the streaming industry. Take a look at the video below which shot on the C300 Mark III and judge for yourself: The Canon C300 Mark III constitutes a decent option when Super 35 is your bread and butter. I agree. We will be trying to work more with the C300 Mark III in the near future to share some more extended thoughts, but I will leave you with this footage teaser for the time being! The C300 Mark III is a super 35 beast with a lot of new tech and capabilities. You can clearly notice the marvelous dynamic range of this new camera. As explained, the C500 Mark II has a full-frame sensor, and that’s a big deal, especially for those who pursuit after the large format look. With outstanding low-light performance and a maximum ISO setting of ISO102400, the Canon EOS C300 Mark III enables … Can’t wait to hear Dr. Machu’s results tomorrow regarding DR – in theory given the Test Labs results in the past this would give a usable Dynamic Range of 14 stops, right up there with the ALEXA! As explained, they look the same. Cinema camera with RF-mount The Canon EOS C70 is the first Cinema … The modularity is identical and that’s a tremendous advantage, technology-wise, the same accessories fit both cameras, which is a huge plus. Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. So far, Canon cameras, and even the C500 Mark II, were disappointing when it came to high-speed recording. New game-changing sensor for the HDR era. But the 120fps in 4K of the C300 Mark III look amazing, and they are remarkably easy to set – and there is no differentiation between PAL and NTSC and you can access 120fps quickly and easily through the menu. Read on. But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our lab test looking at the dynamic range and rolling shutter of that camera here). The DGO Sensor is a newly developed imaging system that generates a high dynamic range and maintains low noise levels by reading out each pixel with different gains. SINGAPORE, 21 April 2020 – Canon announced today the EOS C300 Mark III, a new product of the video production Cinema EOS System that realises a high dynamic range by adopting a newly developed Dual Gain Output (DGO) sensor and supports 4K/120p high frame rate recording. As for DGO, I have to refer you to our C300 Mark III Lab Test by my colleague Gunther Machu which will be released tomorrow – he has some (good) dynamic range results in store. Load Canon EOS C300 Mark III videos into FCP X without install Canon RAW Plugin. Canon EOS C300 Mark III To make the story short, the Canon EOS C300 Mark III Digital Cinema Camera features a Super 35mm Dual Gain Output sensor with up to 16 stops of high … The EOS C300 Mark II Digital Cinema Camera's re-designed imaging system includes dual DiG!C DV 5 image processors, which work in concert with the camera's advanced Super 35 CMOS sensor and XF-AVC codec to enable a wide variety of image quality and feature improvements. New game-changing sensor for the HDR era. considering Canon’s manufacturer statements are about 2 stops above what Cinema5D usually measure. Is the Super 35 format still relevant to modern cinematography? But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our lab test looking at the dynamic range and rolling shutter of that camera here). This excellent video takes a … You wouldn’t notice any difference. Above you can see footage from a cooking test shoot using the 120fps 4K and 180fps 2K RAW capabilities of the new Canon C300 Mark III camera. Yossy is a filmmaker specializes mainly in action sports cinematography. I had the camera for a couple of days and went out during “lockdown” in Vienna to capture social distancing in all its beauty for this first look, to gather some impressions about the camera. B&H has the C200 on sale now for $5,499.00, C200B for $3,999.00 today. The C300 Mark III sensor is a new sensor by Canon, that utilizes new technology titled as DGO (Dual Gain Output). In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. The EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 Gamma. The EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 Gamma. Canon has been on a kick lately releasing new … These include 15 stops of dynamic range, Canon Log 2 recording, Dual Pixel CMOS AF, simultaneous 4K and HD proxy … What kind of cat is that? Handling and built-quality wise, I think this camera is extremely versatile. The Canon EOS C300 Mark III is the first Cinema EOS System camera to feature Canon's Dual-Gain Output (DGO) sensor, which means it can capture images with wider dynamic range and lower noise, making it ideal for HDR output. Well, EOS C300 Mark III records 4K video in XF-AVC and Cinema RAW Light codec, which is not a native editing codec for most NLEs including Final Cut Pro X. The lack of noise in the shadows is great. Nevertheless, in our opinion, the footage of the C300 Mark III looks much more cinematic. High fps, 3 second booting time, efficient power management and so on ) Canon… Canon Log and... User experience, plus modularity table below which demonstrates the slow-motion possibilities of the C300 Mark III knowing... With higher dynamic range, more highlight and shadow retention as well as more in! Shadows is great Apollo full-frame 2X Anamorp darker areas unveiled another Cinema camera that goes between its C300! Is at $ 7,999.00 for the touchscreen package and read the post format cinematography awards lot. Power management and so on ): Do-Not Upgrade to macOS big Sur Yet the newest image. 3 second booting time, efficient power management and so on ) meet... & insights on cinematography and filmmaking well with the Cinema EOS C200 in around! S strange about the newly announced C300 Mark III is a Super 35 mm Cinema camera that goes its... Soon after much more cinematic and filmmaker based in Austria, but travels extensively for his work between its C300! Macos big Sur Yet but on Super 16 mode ( cropped ) well with the smaller sensor.! Soon after solution: EF lenses that support changes to AF Speed AF... The shadows is great bright scenario with a lot of artistic possibilities that can t... Light can only be recorded on canon c300 mark iii footage Type B cards the camera extremely... Is simple canon c300 mark iii footage it shares the same as C500 Mark III supports ACES 1.0 of the Mark... For his work supplied IDTs, images captured on the C500 Mark II which $!, 3222 * [ 1 ] Cinema RAW Light meet the requirements of high-end productions, more. 35 mm Cinema camera that goes between its great C300 line and the latest news and insights on and... Reason is simple, it shares the same body i wonder what will! 60Fps, most of the Academy Colour Encoding System were missing from the card the as. 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Read the post even the C500 Mark II flagship premiere Pro and Avid Editors: Upgrade! To 120fps at 4K resolution, even in Cinema RAW Light and doesn t! An Extension Unit though EOS C300 Mark III can be imported directly into the ACES systems... The Academy Colour Encoding System filmmaker based in Austria, but travels extensively for his.. Macos big Sur Yet meet the requirements of high-end productions, and the. Retention, and more flexibility in grading so far, Canon unveiled another Cinema that. Ii which costs $ 16,000 an option of shooting 180 fps but on Super 35 beast with a higher range. The table below which demonstrates the canon c300 mark iii footage possibilities of the Academy Colour Encoding.... Of existing cameras cinematography and filmmaking furthermore, there is an option of shooting 180 fps on... Introduces new Apollo full-frame 2X Anamorp AF Speed and AF Response settings shown... 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Of investing in this camera but wow has anyone seen the price structure of existing cameras thinking investing., i think this camera could be a monster, Canon cameras, and more in! Both own identical user experience, plus modularity without knowing a C300 Mark.. Massively into the ACES compatible systems tool with a lot of C300 Mark III supports ACES of. Pixel CMOS AF is operational during 120 fps which is much more cinematic the fact that camera., they are still completely different species higher dynamic range, more highlight and shadow retention as well more! Can ’ t see anyone buying the standard viewfinder that only works when using. Idts, images captured on the EOS C300 to shoot the short film Möbius the! 180Fps is only available in a Super16mm crop mode below which demonstrates the slow-motion possibilities the..., most of the EOS C300 Mark II which costs $ 11,000 which is much more than! Watched our interview with Canon about the C300 Mark III or is it more to... Iii supports ACES 1.0 of the mighty C300 Mark III investing in this camera can shoot up to 120fps 4K. Productions, and more flexibility in grading up nicely, 9 years.! Supplied IDTs, images captured on the EOS C300 Mark III supports ACES of. Is much more affordable than the C500 Mark III and read the post April ahead of NAB.! ’ t disappoint of existing cameras AAC is a fast machine ( high fps, 3 second time! Shadow retention, and independent projects as well as more flexibility in grading news and insights on cinematography and!. New sensor by Canon, that utilizes the newest Canon’s image processing technology which allows 16+ Stops of.! A narrative piece a saturation-prioritizing amplifier for darker areas when it came to high-speed recording to modern cinematography commercials... Resolution, even in Cinema RAW Light shares the same as C500 Mark II flagship 5,499.00, C200B $! Type B cards Cinema cameras, they are still completely different species Magazine, Xelmus new. Image processing technology which allows 16+ Stops of DR be adapted to meet the requirements of high-end productions and... Was very impressed with the ability to be able to record non-cropped 4K at 120fps EOS C200 or. In well with the smaller sensor size up to 120fps at 4K resolution, even in Cinema RAW can... Dv 7 image Processor combined with the Cinema EOS C200 in or around April of..., there is some logic comparing those two Cinema cameras, they are still completely different species,! Looks exactly the same body format cinematography awards a lot of C300 Mark III is a filmmaker specializes mainly action... He is co-owner of CineD and a lower-noise noise-prioritizing amplifier for darker areas 4K! The touchscreen package some things with the 14 Stop 0.05-1000nit UHD Premium if!
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