House

BPM: - Time signature: /

TEMPO: ms/beat

1 2 3 4
3:
593 ms
(1,69 Hz)		 1.185 ms
(0,84 Hz)		 1.778 ms
(0,56 Hz)
4:
444 ms
(2,25 Hz)		 889 ms
(1,13 Hz)		 1.333 ms
(0,75 Hz)		 1.778 ms
(0,56 Hz)
6:
296 ms
(3,38 Hz)		 593 ms
(1,69 Hz)		 889 ms
(1,13 Hz)		 1.185 ms
(0,84 Hz)		 1.481 ms
(0,68 Hz)		 1.778 ms
(0,56 Hz)
8:
222 ms
(4,50 Hz)		 444 ms
(2,25 Hz)		 667 ms
(1,50 Hz)		 889 ms
(1,13 Hz)		 1.111 ms
(0,90 Hz)		 1.333 ms
(0,75 Hz)		 1.556 ms
(0,64 Hz)		 1.778 ms
(0,56 Hz)

PARTIAL DELAYS - LFO

1/2 (dot) 1/2 1/2 (3) 1/4 (dot) 1/4 1/4 (3)
1.333 ms
(0,75 Hz)		 889 ms
(1,13 Hz)		 593 ms
(1,69 Hz)		 667 ms
(1,50 Hz)		 444 ms
(2,25 Hz)		 296 ms
(3,38 Hz)
1/8 (dot) 1/8 1/8 (3) 1/16 (dot) 1/16 1/16 (3)
333 ms
(3,00 Hz)		 222 ms
(4,50 Hz)		 148 ms
(6,75 Hz)		 167 ms
(6,00 Hz)		 111 ms
(9,00 Hz)		 74 ms
(13,50 Hz)

EXPLANATION

How many ms is a dotted 8th note at 106 bpm?
Fill in "106" as BPM and check the "1/8 (dot)" box: 425 ms
How long is a 8-beat loop at 136bpm?
Fill in "136" as BPM, fill in "8"/"4" and the answer is: 3,529 ms (3.53 seconds)
This sheet music says "Larghetto". What's that?
Click on the "Larghetto" link and use something in that area of BPM (55-80)
What is the BPM of this song I'm hearing?
Use the on-line BPM counter and come back with the correct tempo!
(I created this page because I needed when I worked with Acid Pro 4.)

EXAMPLES

Classical tempo: Largo - Larghetto - Adagio - Andante - Moderato - Allegro - Presto
Musical genres: Disco - House - Breakbeat - Jungle

ODD TIME SIGNATURES

REFERENCES

Wikipedia: Beats per minute
Theory on note durations (half, fourth, eight, dotted, triplet)

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Keywords
achtste, andante, beatmixing, beats, dance, delay, dj, dotted, downbeat, echo, eight, fast, fourth, full, gepunt, half, halve, heart, hertz, minute, minuut, mix, music, musique, muziek, notes, partiture, partituur, per , pitch, por, pro, rate, reverb, second, seconde, sekund, sheet, signature, sixteenth, slagen, slow, speed, tempo, time, triool, triplet, verlengd, vierde, vitesse, zestiende

Page provided by Peter Forret - Remarks to