Allegro

BPM: - Time signature: /

TEMPO: ms/beat

1 2 3 4
3:
588 ms
(1,70 Hz)		 1.176 ms
(0,85 Hz)		 1.765 ms
(0,57 Hz)
4:
441 ms
(2,27 Hz)		 882 ms
(1,13 Hz)		 1.324 ms
(0,76 Hz)		 1.765 ms
(0,57 Hz)
6:
294 ms
(3,40 Hz)		 588 ms
(1,70 Hz)		 882 ms
(1,13 Hz)		 1.176 ms
(0,85 Hz)		 1.471 ms
(0,68 Hz)		 1.765 ms
(0,57 Hz)
8:
221 ms
(4,53 Hz)		 441 ms
(2,27 Hz)		 662 ms
(1,51 Hz)		 882 ms
(1,13 Hz)		 1.103 ms
(0,91 Hz)		 1.324 ms
(0,76 Hz)		 1.544 ms
(0,65 Hz)		 1.765 ms
(0,57 Hz)

PARTIAL DELAYS - LFO

1/2 (dot) 1/2 1/2 (3) 1/4 (dot) 1/4 1/4 (3)
1.324 ms
(0,76 Hz)		 882 ms
(1,13 Hz)		 588 ms
(1,70 Hz)		 662 ms
(1,51 Hz)		 441 ms
(2,27 Hz)		 294 ms
(3,40 Hz)
1/8 (dot) 1/8 1/8 (3) 1/16 (dot) 1/16 1/16 (3)
331 ms
(3,02 Hz)		 221 ms
(4,53 Hz)		 147 ms
(6,80 Hz)		 165 ms
(6,04 Hz)		 110 ms
(9,07 Hz)		 74 ms
(13,60 Hz)

EXPLANATION

How many ms is a dotted 8th note at 106 bpm?
Fill in "106" as BPM and check the "1/8 (dot)" box: 425 ms
How long is a 8-beat loop at 136bpm?
Fill in "136" as BPM, fill in "8"/"4" and the answer is: 3,529 ms (3.53 seconds)
This sheet music says "Larghetto". What's that?
Click on the "Larghetto" link and use something in that area of BPM (55-80)
What is the BPM of this song I'm hearing?
Use the on-line BPM counter and come back with the correct tempo!
(I created this page because I needed when I worked with Acid Pro 4.)

EXAMPLES

Classical tempo: Largo - Larghetto - Adagio - Andante - Moderato - Allegro - Presto
Musical genres: Disco - House - Breakbeat - Jungle

ODD TIME SIGNATURES

REFERENCES

Wikipedia: Beats per minute
Theory on note durations (half, fourth, eight, dotted, triplet)

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Keywords
achtste, andante, beatmixing, beats, dance, delay, dj, dotted, downbeat, echo, eight, fast, fourth, full, gepunt, half, halve, heart, hertz, minute, minuut, mix, music, musique, muziek, notes, partiture, partituur, per , pitch, por, pro, rate, reverb, second, seconde, sekund, sheet, signature, sixteenth, slagen, slow, speed, tempo, time, triool, triplet, verlengd, vierde, vitesse, zestiende

Page provided by Peter Forret - Remarks to